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Fantastic local pattern designer: Peggy Mead

Just last week we excitedly welcomed a new line of women’s apparel patterns by a very talented Portland designer, Peggy Mead. Her brand name is Sew House Seven, and she was kind enough to take time to answer our questions. It’s a fun read, enjoy!

First, a bit about Peggy.


I grew up in the small University town of Moscow Idaho surrounded by a creative family. I also went to college in Moscow and received my B.S. in Graphic Design at the U of I. I later went on to earn my M.S. in Apparel Design at Oregon State University. I went for a master’s degree with the idea that I might teach.

My first apparel related job out of school was working as a temp for NIKE making bag patterns and sewing up prototype bags. I soon after worked at Jantzen as a swimwear pattern maker and later as a designer. As a pattern maker at Jantzen, I sometimes travelled to the Miss America pageants to fit our swimwear on the contestants. I also customized the pattern of a best selling Jantzen suit to fit Princess Diana. I was so tempted to write a message to her on the label but I refrained. I left Jantzen to freelance as a pattern maker and designer for several small companies and also had a short stint teaching draping at the Art Institute of Portland. More recently I have been working at Pendleton Woolen Mills creating sweater designs, print design, graphic tees, embroideries and many other types of surface designs for women’s wear.

Currently, I have just launched my own sewing pattern business called Sew House Seven. I felt a need to get back tomy original passion of sewing and creating.



I’ve been sewing since I was about 7 or 8. My friend Anne’s mother was a professor at the U of I who taught pattern
making and apparel design. She had a large weaving loom in their living room and was always weaving or doing some
amazing sewing project. I was fascinated by her and her projects. She taught Anne to sew at about age 7 or 8 and so I
too wanted to learn. My mom eventually taught me and I was hooked!

In junior high school I was given a clothing allowance of $100 or $200 (I can’t quite remember) but is didn’t go very far.
That money had to last me the entire school year and that’s where sewing really came in handy helping stretch my budget.
My hometown was very small and there wasn’t much to choose from in the way of clothes and everyone wore pretty much
the same clothes. I loved that sewing allowed me to have a unique wardrobe. I remember one prom where I made
dresses for eight girlfriends. I didn’t make any money - I just loved doing it.


After completing my degree in Graphic Design, I still didn’t feel like I’d chosen the right path. I was so crazy about
sewing and my father kept pushing me in that direction but I didn’t realize there were real careers in design and pattern
I was obsessed with rock climbing in college. My climbing friends and I longed for Patagonia fleece jackets to wear on
our camping/climbing trips but couldn’t afford them. At the time, Patagonia was the only company that sold fleece but I
happened to find their leftover ends at a Pay Less Drug Store. I began sewing fleece jackets up for all the climbers in town
and a local shop started selling them. It was really exhilarating having my clothes worn by people who actually wanted to
pay money for them. I then started to take my father’s advice seriously and applied to graduate school at Oregon State U
where I received an M.S. in apparel design.
In school I daydreamed about having my own sewing pattern company but didn’t think too seriously about it. More
recently, I felt a need to find more time to sew and get back to making my own creations. After about 20 seasoned years in
the apparel industry I’ve decided to give it a go.
I have also been trying to be a more conscious consumer. I’d like to start making a good portion of my clothes again
instead of buying mass produced products made over seas. Most apparel companies have to think about their bottom line
which means it’s not cost effective for them to use organic fabrics or have things produced locally. With home sewing you
can do that as well as add details that may be too expensive or time consuming for an apparel company to pull off in
production. Sewing also takes away my guilt of loving clothes. I get more satisfaction from the garment than just buying it
off the rack because the process is also my hobby, entertainment and there is pride in the finished garment. What I love
about making these Sew House Seven patterns is that I get to be a part of a community that shares my values and I hope to
be a spring board for other peoples creative projects.


I’ve been sewing for years, yet at this point in my life I have an extremely busy schedule with work, a child and a husband, as well as finding time for my outdoor sports. I still love to sew however, I find that if a project takes me more than a few days to finish, it may never get done - and I don’t think I’m alone in this.
My goal with these first three patterns was to create styles that could be sewn up fairly quickly and easily yet still have some interesting design details. Although they are written for a beginner sewist, I hope the designs will appeal to sewists of all levels. Each design has a point of interest - the Alberta Street Pencil Skirt has the oversized angled pockets, the Mississippi Avenue has the front panel and the Bridgetown Backless has the draped open back (and is for knits or woven by the way). I also believe these patterns are versatile in that they can be made dressy or casual as well as span seasons depending on what fabric is used.
The patterns themselves are printed on hard paper, and come in a 6.5” X 9.5” envelope with a detailed instruction booklet. The patterns will first be released as paper patterns but will later be offered as pdf downloadable ones as well.


Although I started in the design field with the intent of making outdoor clothing for the sports I loved, I have since found that I really love designing and working with the more feminine and pretty things. I go through phases but currently I am loving silk, fine cottons, rayons and knits that have a nice drape to them. I am drawn to the rich color combinations of Kaffe Fassett. I also love vintage florals, liberty prints, conversationals and print mixing however, I can also appreciate a nice solid color fabric with some interesting texture.


I try to stay away from styles that are too trendy however, every once in a while I get lured in. I am loving the trend of the easy and comfortable elastic waist. Does that make me sound like a lazy sewist? There are lots of nice tunics and shirt dresses out there I’d like to try. I’m really excited about seeing so many new independent pattern designers cropping up. I love to see so much creativity and people starting their own businesses.


Lately, I haven’t had time to sew up much aside from my own pattern samples. I just finished a Mississippi Avenue dress out of a lovely fine cotton floral that I found at Bolt. I need to sew up a cover for our dinning room table bench that is peeling but I would rather sew up a pretty dress from a Deer and Doe pattern I bought a while back.


I tend to frequent places I can walk or bike to so I haunt a lot of places near home. That being said, I’m loving what’s come about on SE Stark Street. I love the cocktails and fry bread at the Observatory. I love to shop at Branch Birdie and accompany my husband for coffee (I don’t drink the stuff) at the Bi-Partisan cafe (they also have yummy pies). When I venture out of my neighborhood, I like to eat at Prasad or Blossoming Lotus when I’m feeling like health food. My husband grew up in Thailand so we love to eat at Pok Pok. I crave the crusty, extra sauce pizza at American Dream Pizza and Staccato Gelato for the donuts. My all time favorite meal is at the Tacqueria Nueve - the ceviche caesar salad. I’m generally a vegetarian but that’s one of the dishes for which I’m willing to break the rules. I should also mention Movie Madness where my son and I like to rent old Godzilla movies as well as other obscure flicks.

A huge thanks to Peggy for taking the time to share with us! You can find all three of her patterns at Bolt.


Just in: yarn dyed heavy weights, apparel delights and more!

by Gina

It’s always fun to walk around and see all the new things in the store after being away. This past week was full of that for me, as we welcomed in more Liberty and Kaffe Fassett prints (see last week’s Just In post for those).  And, we’ve got a whole new selection of goodies to show off this week.

Let’s start with these gorgeous heavy weight cotton yard dyed pieces, perfect for a picnic blanket to keep in the car…’tis the season, after all. I was also imaginng a very colorful Ship Shape Tote with a pair of Hannah’s leather handles out of one of these (all one, not cut up into pieces).

And more apparel fabrics, including a variety of knits (top pic), silk, rayon and cotton (middle pic) and three sweet Swiss dot in lovely shades (bottom pic):

And, some awfully cute medium weight cotton prints: foxes and hares, who can resist?

See you soon!

how to piece the perfect intersection

by Hannah

 I always think about how quilting began from using what you have. I’ve been wanting to make a few pillow covers for our living room so I entered my fabric abyss the other evening and collected as many linen pieces as I could find and started cutting.

I decided to cut 2.5” squares so I could just do a simple patchwork pillow top. 

I chose three colors to work with and arranged them just how they’d be sewn together.

Often I find myself explaining to customers how to make the perfect intersection. I remember the first time I pieced together squares and I thought it was going to be so simple, only to find that none of them intersected the way I thought they would. Two of them on the whole quilt looked right and only by chance. Here’s so you don’t make the same mistake. 

Lay out four square pieces. 

Stitch two together and now stitch the other two togther. 

Press one seam allowance up and press one seam allowance down. This will create an interlocking that you can see in the next photo.

Place right sides together and make sure the seam allowances are going in opposite directions.

Bring the right sides of the seam allowances toward one another as tight as they’ll go, locking them in place to sew. You can use a pin if it’s easier. 

I like to start sewing from the seam allowance intersection, this way the pieces don’t slip while you’re sewing and the intersection is locked (stitched) first thing. Now flip it and sew from the intersection to the raw edge on the other side.

Press the seam that you just sewed to one side and experience satisfaction.

I inserted an invisible zipper, quilted and here’s my pillow! The blue is from a linen skirt that was way too long, the white from my linen skirt smarts skirt, and the natural is from some old linen Ikea curtains that I hemmed. Use what you have!